Friday, 17 August 2018, 07–08.30 pm

Cameron Rowland discusses his use of a rental contract that establishes the temporary possession of his artworks by an individual collector or collecting institution. Rowland’s critical project of the rental contract realizes how art can be wrested from the expectations of property ownership, while it also evidences the racially encrypted and everyday absolute right of property to exclude.
(in english)

in the context of:
Contractual Situations We Live By